How The Method Of Growing Food Organically Or Non...

The purpose of this study was to study how the method of growing food organically or non-organically affected the mold growth between the two. Also, looking at whether or not organic food or non-organic food is healthier for you. Throughout a one week period, data was collected each day by a ranking system on a scale of 1 to 5. The rank gave a number for how much mold grew after one day. 1 meaning no mold and 5 meaning more than 10 spots of mold. The three foods involved in this study were cheese, strawberries, and bananas. There were an organic and non-organic food for each food item. The food was placed in a dark and warm cabinet. It is claimed that non-organic food will grow mold faster based on the number of mold spots grown because mold likes to grow in the dark better. Other studies explained there is not a significant difference nutritionally between organic and non-organic foods. Introduction How does the method of growing organic food affect the growth of mold and nutritional value versus non-organic foods? This question is significant because many people buy organic food because they think it is healthier. Also, since non-organic foods usually have more preservatives in them to make them last longer, the assumption is that non-organic foods will mold faster. Molds are fungi that grow best in warm, dark, damp, and humid conditions. Mold spreads and reproduces by making spores that can survive harsh conditions (CDC, 2014). If a food is to be grown organically,Show MoreRelatedChipotle18199 Words   |  73 PagesPrepared for: Chipotle Submitted By: December 14, 2011 I. Introduction to Chipotle Introduction Chipotle Mexican Grill is a leading force in its commitment to buy food from sustainable sources that do not have a negative impact on its menu pricing. Besides leading the way in the fast casual dining experience, it also supports farming initiatives that develop and practice best standards. Chipotle is also active in its environmental commitment to working to reduce its carbon footprintRead MoreSustainable Building Material...24522 Words   |  99 PagesGreen Building A Guide to Sustainable Building Materials and Methods in Santa Cruz County Funded through waste reduction grants from the City and County of Santa Cruz Departments of Public Works, and in cooperation with Ecology Action. Green Building: A Guide to Sustainable Building Materials and Methods in Santa Cruz County  © 2004, Ecology Action of Santa Cruz Principal Authors: Barry Hooper Karsten Mueller, Ecology Action Editor Kiosk/Graphic Designer: Jenny Shelton, Shelton Design Read MoreRole of Communication Employee Involvement in the Process of an Organizational Change23165 Words   |  93 Pagescompetition. The different sources of innovation include change in awareness due to acquisition of new knowledge, changing perceptions of people, demographic changes, rapid changes in industry and market structure, imperfect processes, incongruity between reality and expectation and unexpected happenings. Organizations need to be committed to change and innovation and change their structure and culture to facilitate continuous learning of employees. In modern organizations, employees work underRead MoreManagement Course: Mba−10 General Management215330 Words   |  862 PagesFeigenbaum−Feigenbaum †¢ The Power of Management Capital 1. New Management for Business Growth in a Demanding Economy 1 1 Text Jones−George †¢ Contemporary Management, Fourth Edition I. Management 17 17 2. The Evolution of Management Thought Hughes−Ginnett−Curphy †¢ Leadership, Fifth Edition I. Leadership is a Process, Not a Position 51 51 70 1. Leadership is Everyone’s Business 2. Interaction between the Leader, the Followers the Situation Cohen †¢ Effective Behavior in OrganizationsRead MoreLibrary Management204752 Words   |  820 Pagesand Joseph R. Matthews The Complete Guide to Acquisitions Management Frances C. Wilkinson and Linda K. Lewis Organization of Information, Second Edition Arlene G. Taylor The School Library Media Manager, Third Edition Blanche Woolls Basic Research Methods for Librarians Ronald R. Powell and Lynn Silipigni Connoway Library of Congress Subject Headings: Principles and Application, Fourth Edition Lois Mai Chan Developing Library and Information Center Collections, Fifth Edition G. Edward Evans and MargaretRead MoreRastafarian79520 Words   |  319 Pages2002 299†².676—dc21 2002074897 v To Donnaree, my wife, and Donnisa, my daughter, the two persons around whom my life revolves; and to the ancestors whose struggles have enabled us to survive and thrive This page intentionally left blank Foreword One of the most useful things about Ennis Edmondss Rastafari: From Outcasts to Culture Bearers is that it correctly traces the connection between the emergence of Rastafarianism and the history of resistance and black consciousness that

The Mythical Man Month By Frederick P. Brooks Jr. Essay

Introduction This paper will be used to present one of the project problems mentioned in the text of the book â€Å"The Mythical Man Month† by Frederick P. Brooks Jr. In addition, I will present my answers to the questions about the intangibility of the software and the increasing cost connected with higher reliability requirements. The last part presents my views which dependability attributes could be most crucial in four real life systems. Body Question 1: Using The Mythical Man Month reading found on the course homepage, read the project problems mentioned in the text. List the difficulties and errors that occurred in these failed programming projects. One of the project problems mentioned by Brooks Jr. in Chapter 12 of his book â€Å"The Mythical Man Month† is the problem with program maintenance. According to him fixing a bug has around 20 to 50% chances of introducing another one. As explanation he shows two reasons: first one is that in most of the projects the structure of documentation in not clear, precise and does not describe all dependencies that exist in the system and second is that the programmer who is repairing the system is typically not the same as the one who composed the code at development (Brooks Jr., 1995). So in order one project not to fail there should be more system testing per statement written then in the other cases. Brooks suggest that after fixing each bug an entire bank of previous test cases should be run against the system (Brooks Jr., 1995). ButShow MoreRelatedProject Mgmt296381 Words   |  1186 Pagescustomers outside the United States. This book is printed on acid-free paper. 1 2 3 4 5 6 7 8 9 0 WVR/WVR 0 9 8 7 ISBN 978-0-07-340334-2 MHID 0-07-340334-2 Editorial director: Stewart Mattson Publisher: Tim Vertovec Executive editor: Richard T. Hercher, Jr. Developmental editor: Gail Korosa Associate marketing manager: Jaime Halterman Project manager: Harvey Yep Production supervisor: Carol Bielski Designer: Mary Kazak Vander Photo researcher: Jeremy Cheshareck Media project manager: Cathy Tepper Cover

The Vampire Diaries The Struggle Chapter One Free Essays

â€Å"Damon!† Icy wind whipped Elena’s hair around her face, tearing at her light sweater. Oak leaves swirled among the rows of granite headstones, and the trees lashed their branches together in frenzy. Elena’s hands were cold, her lips and cheeks were numb, but she stood facing the screaming wind directly, shouting into it. We will write a custom essay sample on The Vampire Diaries: The Struggle Chapter One or any similar topic only for you Order Now â€Å"Damon!† This weather was a show of his Power, meant to frighten her away. It wouldn’t work. The thought of that same Power being turned against Stefan woke a hot fury inside her that burned against the wind. If Damon had done anything to Stefan, if Damon had hurt him†¦ â€Å"Damn you, answer me!† she shouted at the oak trees that bordered the graveyard. A dead oak leaf like a withered brown hand skittered up to her foot, but there was no answer. Above, She turned – and gasped. He was just behind her, so close that her clothes brushed his as she turned. At that distance, she should have sensed another human being standing there, should have felt his body warmth or heard him. But Damon, of course, wasn’t human. She reeled back a couple of steps before she could stop herself. Every instinct that had lain quiet while she shouted into the violence of the wind was now begging her to run. She clenched her fists. â€Å"Where’s Stefan?† A line appeared between Damon’s dark eyebrows. â€Å"Stefan who?† Elena stepped forward and slapped him. She had no thought of doing it before she did it, and afterward she could scarcely believe what she had done. But it was a good hard slap, with the full force of her body behind it, and it snapped Damon’s head to one side. Her hand stung. She stood, trying to calm her breath, and watched him. He was dressed as she had first seen him, in black. Soft black boots, black jeans, black sweater, and leather jacket. And he looked like Stefan. She didn’t know how she could have missed that before. He had the same dark hair, the same pale skin, the same disturbing good looks. But his hair was straight, not wavy, and his eyes were black as midnight, and his mouth was cruel. He turned his head slowly back to look at her, and she saw blood rising in the cheek she’d slapped. â€Å"Don’t lie to me,† she said, her voice shaking. â€Å"I know who you are. I knowwhat you are. You killed Mr. Tanner last night. And now Stefan’s disappeared.† â€Å"Has he?† â€Å"You know he has!† Damon smiled and then turned it off instantly. â€Å"I’m warning you; if you’ve hurt him – â€Å" â€Å"Then, what?† he said. â€Å"What will you do, Elena? Whatcan you do, against me?† Elena fell silent. For the first time, she realized that the wind had died away. The day had gone deadly quiet around them, as if they stood motionless at the center of some great circle of power. It seemed as if everything, the leaden sky, the oaks and purple beeches, the ground itself, was connected to him, as if he drew Power from all of it. He stood with his head tilted back slightly, his eyes fathomless and full of strange lights. â€Å"I don’t know,† she whispered, â€Å"but I’ll find something. Believe me.† â€Å"I do believe you,† he said, relaxing, looking around the graveyard. Then he turned back and held out a hand to her. â€Å"You’re too good for my brother,† he said casually. Elena thought of slapping the hand away, but she didn’t want to touch him again. â€Å"Tell me where he is.† â€Å"Later, possibly – for a price.† He withdrew his hand, just as Elena realized that on it he wore a ring like Stefan’s: silver and lapis lazuli. Remember that, she thought fiercely. It’s important. â€Å"My brother,† he went on, â€Å"is a fool. He thinks that because you look like Katherine you’re weak and easily led like her. But he’s wrong. I could feel your anger from the other side of town. I can feel it now, a white light like the desert sun. You have strength, Elena, even as you are. But you could be so much stronger†¦Ã¢â‚¬  She stared at him, not understanding, not liking the change of subject. â€Å"I don’t know what you’re talking about. And what has it got to do with Stefan?† â€Å"I’m talking about Power, Elena.† Suddenly, he stepped close to her, his eyes fixed on hers, his voice soft and urgent. â€Å"You’ve tried everything else, and nothing has satisfied you. You’re the girl who has everything, but there’s always been something just out of your reach, something you need desperately and can’t have. That’s what I’m offering you. Power. Eternal life. And feelings you’ve never felt before.† Shedid understand then, and bile rose in her throat. She choked on horror and repudiation. â€Å"No.† â€Å"Why not?† he whispered. â€Å"Why not try it, Elena? Be honest. Isn’t there a part of you that wants to?† His dark eyes were full of a heat and intensity that held her transfixed, unable to look away. â€Å"I can waken things inside you that have been sleeping all your life. You’re strong enough to live in the dark, to glory in it. You can become a queen of the shadows. Why not take that Power, Elena? Let me help you take it.† â€Å"No,† she said, wrenching her eyes away from his. She wouldn’t look at him, wouldn’t let him do this to her. She wouldn’t let him make her forget†¦ make her forget†¦ â€Å"It’s the ultimate secret, Elena,† he said. His voice was as caressing as the fingertips that touched her throat. â€Å"You’ll be happy as never before.† There was something terribly important she must remember. He was using Power to make her forget it, but she wouldn’t let him make her forget†¦ â€Å"And we’ll be together, you and I.† The cool fingertips stroked the side of her neck, slipping under the collar of her sweater. â€Å"Just the two of us, forever.† There was a sudden twinge of pain as his fingers brushed two tiny wounds in the flesh of her neck, and her mind cleared. Make her forget†¦Stefan. That was what he wanted to drive out of her mind. The memory of Stefan, of his green eyes and his smile that always had sadness lurking behind it. But nothing could force Stefan out of her thoughts now, â€Å"I’ve already found what I want,† she said brutally. â€Å"And who I want to be with forever.† Blackness welled up in his eyes, a cold rage that swept through the air between them. Looking into those eyes, Elena thought of a cobra about to strike. â€Å"Don’t you be as stupid as my brother is,† he said. â€Å"Or I might have to treat you the same way.† She was frightened now. She couldn’t help it, not with cold pouring into her, chilling her bones. The wind was picking up again, the branches tossing. â€Å"Tell me where he is, Damon.† â€Å"At this moment? I don’t know. Can’t you stop thinking about him for an instant?† â€Å"No!† She shuddered, hair lashing about her face again. â€Å"And that’s your final answer, today? Be very sure you want to play this game with me, Elena. The consequences are nothing to laugh about.† â€Å"Iam sure.† She had to stop him before he got to her again. â€Å"And you can’t intimidate me, Damon, or haven’t you noticed? The moment Stefan told me what you were, what you’d done, you lost any power you might have had over me. Ihate you. You disgust me. And there’s nothing you can do to me, not any more.† His face altered, the sensuousness twisting and freezing, becoming cruel and bitterly hard. He laughed, but this laugh went on and on. â€Å"Nothing?† he said. â€Å"I can doanything to you, and to the ones you love. You have no idea, Elena, of what I can do. But you’ll learn.† He stepped back, and the wind cut through Elena like a knife. Her vision seemed to be blurring; it was as if flecks of brightness filled the air in front of her eyes. â€Å"Winter is coming, Elena,† he said, and his voice was clear and chilling even over the howl of the wind. â€Å"An unforgiving season. Before it comes, you’ll have learned what I can and can’t do. Before winter is here, you’ll have joined me. You’ll be mine.† The swirling whiteness was blinding her, and she could no longer see the dark bulk of his figure. Now even his voice was fading. She hugged herself with her arms, head bent down, her whole body shaking. She whispered, â€Å"Stefan – â€Å" â€Å"Oh, and one more thing,† Damon’s voice came back. â€Å"You asked earlier about my brother. Don’t bother looking for him, Elena. I killed him last night.† Her head jerked up, but there was nothing to see, only the dizzying whiteness, which burned her nose and cheeks and clogged her eyelashes. It was only then, as the fine grains settled on her skin, that she realized what they were: snowflakes. It was snowing on the first of November. Overhead, the sun was gone. How to cite The Vampire Diaries: The Struggle Chapter One, Essay examples

Galsworthy free essay sample

This novel is the last volume of the Forsyte Saga. It marks both the end of the first stage in the development of the Forsytes and the beginning of the second, post-war stage in the chronicles of their doings. That final stage is the subject of Galsworthys second trilogy, the Modern Comedy, where the younger generation of the Forsytes are depicted against the background of Englands post-war decay. In the following extract the novelist holds up to ridicule the decadence of modem art. He puts his ideas into the mouth of Soames Forsyte whom he formerly satirized as the man of property. Soamess scornful bewilderment at sight of Expressionist paintings renders to a certain degree the feelings of the novelist himself. CHAPTER I Encounter Arriving at the Gallery off Cork Street, however, he paid his shilling, picked up a catalogue, and entered. Some ten persons were prowling round. We will write a custom essay sample on Galsworthy or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Soames took steps and came on what looked to him like a lamp-post bent by collision with a motor omnibus. It was advanced some three paces from the wall, and was described in his catalogue as Jupiter. He examined it with curiosity, having recently turned some of his attention to sculpture. If thats Jupiter, he thought, I wonder what Junos like. And suddenly he saw her, opposite. She appeared to him like nothing so much as a pump with two handles, lightly clad in snow. He was still gazing at her, when two of the prowlers halted on his left. Epatant[1] be heard one say. Jargon! growled Soames to himself. The other boyish voice replied: Missed it,[2] old bean;[3] hes pulling your leg. When Jove and Juno created he them,[4] he was saying: â€Å"I’ll see how much these fools will swallow†. And they’ve lapped up a lot. †[5] â€Å"You young duffer[6]! Vospovitch is an innovator. Don’t you see that he’s brought satire into sculpture? The future of plastic art, of music, painting, and even architecture, has set in satiric. It was bound to. People are tired – the bottom’s tumbled out of sentiment. † â€Å"Well, I’m quite equal to taking a little interest in beauty. I was through the war. You’ve dropped your handkerchief, sir. † Soames saw a handkerchief held out in front of him. He took it with some natural suspicion, and approached it to his nose. It had the right sent – of distant Eau de Cologne – and his initials in a corner. Slightly reassured, he raised his eyes to the young man’s face. It had rather fawn-like ears, a laughing mouth, with half a toothbrush growing out of it on each side, and small lively eyes above a normally dressed appearance. â€Å"Thank you,† he said; and moved by a sort of irritation, added: â€Å"Glad to hear you like beauty; that’s rare, nowadays. † â€Å"I dote on it,† said the young man; â€Å"but you and I are the last of the old guard, sir. † Soames smiled. If you really care for pictures,† he said, â€Å"here’s my card. I can show you some quite good ones any Sunday, if you’re down the river and care to look in. † â€Å"Awfully nice of you, sir. I’ll drop in like a bird[7]. My name’s Mont – Michael. † And he took off his hat. Soames, already regretting his impulse, raised his own sligh tly in response, with a downward look at the young man’s companion, who had a purple tie, dreadful little sluglike whiskers, and a scornful look – as if he were a poet! It was the first indiscretion he had committed for so long that he went and sat down in an alcove. What had possessed him to give his card to a rackety[8] young fellow, who went about with a thing like that? And Fleur, always at the back of his thoughts, started out like a filigree figure from a clock when the hour strikes. On the screen opposite the alcove was a large canvas with a great many square tomato-coloured blobs on it, and nothing else, so far as Soames could see from where he sat. He looked at his catalogue: No. 32 — The Future Town — Paul Post. I suppose thats satiric too, he thought. What a thing! But his second impulse was more cautious. It did not do to condemn hurriedly. There had been those stripey, streaky creations of Monets[9], which had turned out such trumps; and then the stippled school,[10] and Gauguin* [11]. Why, even since the Post-Impressionists[12] there had been one or two painters not to be sneezed at. During the thirty-eight years of his connoisseurs life, indeed, he had marked so many movements, seen the tides of taste and technique so ebb and flow, that there was really no telling anything except that there was money to be made out of every change of fashion. This too might quite well be a case where one must subdue primordial instinct, or lose the market. He got up and stood before the picture, trying hard to see it with the eyes of other people. Above the tomato blobs was what he took to be a sunset, till some one passing said: Hes got the airplanes wonderfully, dont you think! Below the tomato blobs was a band of white with vertical black stripes, to which he could assign no meaning whatever, till some one else came by, murmuring: What expression he gets with his foreground! Expression? Of what? Soames went back to his seat. The thing was rich, as his father would have said, and he wouldnt give a damn for it.